Nisserin Bessioua - UCA Television Production

In order to prepare for our reshoot of Scene 11 and Scene 17, I remade the blocking and wrote up a new shot list for these two scenes so that on the day, all crew members can see exactly what we are doing and by writing down all extra shots we need, this should ensure that we don't miss anything.  For the shot list I have written down the location, scene number, shot size and a short description of the action so that everyone can see exactly what we're doing and where each shot fits in the script. Along with this, I have also remade the blocking diagrams, including the new camera positions and some of the important camera angles we already have so the director and I can see exactly what we're filming and how it'll work with the footage we already have.  To go with these, I also exported the scenes we were re-filming and uploaded them to youtube so that throughout the day we could watch through the videos and check for anything that might be a continuity error or

After having some tutorials it was clear to us that we would need to organise a reshoot as there were some extra shots that would really benefit the project and certain scenes where shots we have weren't working and if we had the option to redo then we should. This was decided before the Easter break which gave the producer some time to organise a reshoot over the holiday. It was finally decided on a few weeks later that this would take place on the 30th of April. iPad Inserts: There are a few moments were Annie is holding her iPad in her hands and taking pictures/videos in scenes. At this point, we can only see her doing this from a wide shot or a mid shot of her. It was decided that having close-ups of the iPad and being able to see exactly what she sees puts the audience more in her position and within the scene.  Scene 11: For the scene, our actors were facing away from the camera so we couldn't see their faces. Our plan is to reshoot this scene by filming thro